Chinese Culture Tours
China has one of the worldâs oldest continuously existing cultures, and we can orient your China travel experience around whatever aspect of Chinese culture most interests you. If youâve ever wanted to learn the ancient Chinese martial arts of Wushu / GongFu (Kung Fu), take a class in Mandarin, the official language of the Peopleâs Republic of China, or if you have a special interest in Chinese antiques.
Beijing cooking tour - Cooking is an ancient Chinese art. Some 3,000 years ago, the Chinese people already knew how to "deliciously" blend the five favors-pungent, sweet, sour, bitter, and salty and today Chinese cuisines is ranked among the world's best and Chinese restaurants can be found in many countries and regions throughout the world. This tour is designed on the purpose to provide the foreigners who are interested in Chinese cuisines a chance to get a closer touch with Chinese cuisine. By the end of this class, you will understand Chinese food and know how to make delicious Chinese food yourself!
Chinese medicine learning - to learn something about the acupuncture, moxibustion, massage and qigong but also can experience his magic by taking a foot massage. Beijing Paper-cut is one of the most popular traditional folk arts in China. Only with one scissor and a piece of paper, the professional can create everything in the world magically.
Intro the orgin of Chinese gods
The so-called god did not exist before the ap-
pearance of the human race. It gradually took
shape as the human species multiplied. Men not
only needed food and materials for survival, they
also required a spiritual prop in their lives, thus
creating the god. China, with a long history, has a
rich tradition of creating gods. Innumerable gods,
demons, immortals and spirits were created and
spread far and wide among the people. This book
selects twenty-nine Chinese gods to deal with, one
by one.
Men desired peace. They wanted to win promo- tion and get rich, to achieve longevity and they hoped for a spouse to give birth to a son. As a result, they fabricated various ideas of gods and deities to provide sustenance in their illusions. A survey re- veals that China had a wide spectrum of folk beliefs, including divinities, spirits, totems, prodigies, omens, divinations, taboos and sacrificial rites. Some of the gods dealt with in this book took their origin in men's worship of nature. As they could not explain many awesome and inspiring phenomena in the natural world, they began to worship these as su- pernatural beings. This gave rise to the existence of the gods of heaven, earth, fire, wind, rain, mountain and river. As human society developed, the ruler associated himself with the gods of the masses, creating the notion that the emperor had been invested by Heaven with the power to rule. Gods came in increasing numbers, with official titles, power, clothing, insignia of rank, and retinue, all similar to those used in the world of men. Finally, gods turned out to be everywhere and able to do everything. There was the Jade Emperor in Heaven, the King of Hell underground, the Dragon King in the water, the Village God, the Kitchen God, the Door God, the God of Wealth, the Mountain God, the City God and others. The god was not subjected to the natural law, but could exert profound influ- ence over the human society. Both the authority of the sovereign and the religious authority simul- taneously ruled the society. The gods discussed in this book were not all created by the ruler, nor were their titles granted by him. Some were outstanding personages who were deified after temples were built by the people to enshrine and honour them. These included Lu Ban, master founder of carpentry; Sun Simiao, King of Medicine, and hydraulic engi- neers Li Bing and his son. To these gods, especially at the initial stage, worshippers came to pay homage with more considerations to commemorate them than superstitious beliefs. Some other gods were neither worshipped by the masses, nor titled by the rulers. They were simply created by writers with a gifted pen, such as the Eight Immortals and Jiang Taigong.
Some more content
As a matter of fact, the appearance of the gods
and the custom of worshipping them reflect one
aspect of China's "popular culture." This is because
the faith in the deity is not only a religious phenom-
enon. It constitutes an important, integral part of
Chinese folk culture and customs, exerting a wide-
spread influence over China itself, overseas Chinese,
and even Japan, Korea, Southeast Asia and the Malay
Archipelago. It is helpful to explore the gods, from
which one can see Chinese folk culture incorporate
things of diverse nature. It preserved tradition while
not rejecting foreign things providing they suited
the taste of the local people. The study of folk
beliefs is important to the study of archaeology,
history, sociology, psychology, and folk literature.
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